Showing posts with label Raw Vintage. Show all posts
Showing posts with label Raw Vintage. Show all posts

Friday, November 20, 2009

Authentic Vintage Tone Today



We said we'd be back with some more killer gear from Raw Vintage, well here it is. For those of you who might have missed the last Raw Vintage feature we had done some reviews on their vintage quality pure steel saddles and tremolo springs. Raw Vintage is a company that has made it pretty clear what they're here to do, and that is to provide us with some really great guitar products, period! It is so important for those of us who play or collect vintage guitars to be able to fit them with the proper hardware and parts. Let's face it an authentic vintage piece just doesn't work unless it's sporting the correct outfit. Then there's that breed of gear junky that loves to build and modify his own gear. We hope we can inspire you cats to look into these killer products and get the chance to play your dream guitar.



Our next feature from Raw Vintage is their vintage voiced 50's and 60's Strat pickups, and these are no joke, serious, vintage tone machines. It's really something special when someone can builds gear that recreates the great sounds of our golden age of rock and roll. It is the many years experience in rewinding vintage pickups that gave Raw Vintage the ability to create their own authentic vintage voiced pickups. They used similar vintage pickup building techniques such as staggered pole pieces, Alnico magnets, AWG-42 gauge wire (same as the heavy formvar magnet wire used in vintage pickups), and wax potting. You can check out more info on Raw Vintage's pickup building techniques on their website. We had a chance to put each a 50's and a 60's set into action, testing each set of pickups through both vintage and modern amps. The outcome was something that floored us and absolutely satisfied our tone junky thirst. These are not your average boutique pickups.




(pickups available in aged or non-aged appearance)

RV-5661
50's Tone Pickups
(5.8~6.1Kohm)

If you've ever had the chance to play a proper 50's Stratocaster you know there is nothing quite like it. Pickups manufactured back in the 50's had something about them that created an even, warm, and defined tone. A sound we spend lots of time trying to achieve. So what is it about vintage pickups that makes them sound so good? It isn't some sort of magic or secret building techniques. So what is it? I'll tell you what it is, it's simply a matter of components and building strategies. This is why vintage pickups sound the way they do and the reason we're all hungry for them. The Raw Vintage RV-5661 pickups are everything you would want from a 50's Strat pickup from the sound on down to the look. What if you have an aged guitar that you don't want to swap shiny new pickups into? No problem, Raw Vintage makes both aged and new pickup styles. I swapped a set of RV-5661's into a standard mexican made Stratocaster and instantly I could hear a difference. All the bounce, jangle, and pop one would expect from a great set of Strat pickups came singing through my guitar. The 50's rock sound is one that had lots of spank in it, it was a sound that also worked great for blues, R&B, and blues. One thing that is a must in order to recreate a good set of 50's style pickups is warmth, period! I played the 5661's first through a 57 Tweed Champ, a reissue of course. All the way through the Champ's volume knob I was able to get some great usable tones. The blend of the low wattage amp and the Raw Vintage pickups created some of the best rhythm guitar tones we have ever been able to dial-in. We moved it up to some more power next by plugging into a Twin, here is where these pickups let themselves be known. All it took was a bit of the Twin's high's, mids, lows, and hint of reverb to get those immaculate clean tones we all love to play with. The depth in the sound of these pickups really shined as I turned up the volume and began to get some grit. Harmonics and richness in every note, and perfect amount of sustain without the use of a compressor. That's a good sign you're playing a quality set of pickups. Even when I dug into the strings things didn't become muddy, instead the strings resonated in all the right places which made them produce a warm, natural overdrive. The 5661's kept the amp's sound clear and consistent. To get back to a bouncy clean tone all I had to do was roll the guitar's volume back. I also noticed I could get clean tones by simply playing lighter, the sound would mellow out growl only when pursued. These are great pickups for those of you who like to let your hands do all the talking. The RV-5661's will produce everything from pristine cleans, punchy dirt tones, and screaming leads. Raw Vintage has really created a set of genius pickups, and all simply by following some traditional techniques. Oh how I love that good ol' rock and roll. Grab a set and bring back the sound that has worked for so damn long, you can't go wrong.


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RV-6264
60's Tone Pickups
(6.0~6.3Kohm)


The 60's, they were a wonderful time for music, rock most of all. I see the 60's as the birth of heavy rock, experimentation, and the road that has led us to where we are today in rock and roll. There was a lot going on with both guitars and amplifiers that guitar players had to get accustomed to, having the right set of pickups was key in order to make sure you rocked. The Raw Vintage RV-6264 60's voiced pickups bring back all those fierce, in your face, and lovely tones we all love and worship. I put the set of RV-6264's in a 60's project Strat I was working on, they're still in this guitar and probably won't be going anywhere. First I played the pickups through a Twin Reverb, set it clean and let it fly. I was able to get a beautiful chimed and spanky sound, the kind of sound that's perfect for chord work, finger picking, country, blues, and funk. The sound was bright but not tinny, and had a sweet balance of lows and mids. Each string came across even and not jagged, which accented the beautiful cleans of my Fender amp. I've played single coils in the past that have produced uneven string projection, this leads to ugly sounding chords, and more work when recording. This is not an issue with these pickups. Next I added in some of my favorite overdrivers to the clean setting to see what kind of a dirty sound I could get from the 6264's. I noticed right away how well the lows, mids, and highs all stayed intact at all levels of overdrive. Some single coils will howl in all the wrong places or become muddy when played through certain overdrive or distortion pedals. I was able to keep my tone in check without much fiddling of the amp's eq knobs, and the pickups cleaned up nicely when I rolled back the volume. Now it was time for some serious overdrive, some english amp style overdrive. After all, what kind of a test would this be without playing these pickups through a vintage Marshall? I set in a perfect amount of rhythm grit, and flipped between each pickup position. The neck pickup had a perfect amount of output, great for those dirty Hendrix style rhythm tones. All I had to do to kick it into lead madness was step on my booster. Instantly everything from Stevie Ray, and Clapton, to Blackmore, and Buddy Guy came pouring from my amp. I was also able to get some nice dirty jazz tones by laying off on the drive and rolling back on my guitar's tone and volume. In the middle pickup position you get just as good a fat and clear sound only you get hint more mids and highs, this works for great for switching out your rhythm tones in case you're clashing with another guitar player. The ultimate joy in these pickups is definitely in the bridge pickup though, it's not too harsh and has just the right amount of output. The bridge position produced a smooth, balanced attack on the strings which made for some silky, aggressive lead work. Playing the lead pickup through a fuzz pedal was even better, all-out psychedelic rock heaven! It's clear these pickups were designed to work great in all positions. Along with all the in-between settings the possibilities are endless. The RV-6264's work great for so many uses and sound great for all types of music. Whether you're looking to build a solid 60's replica, need to replace a vintage set pups, or just want to upgrade your tone, these bad boys will sa-tis-fy! Enjoy and keep rocking on boys and girls.



For more info on Raw Vintage Products go to www.rawvintage.com or click the direct link in our sidebar. We will continue to keep you guys informed on any news and updates from raw Vintage so make sure to keep your eyes peeled.



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Wednesday, September 16, 2009

Welcome back to the Golden Era

A Taste of the Original...


What is it about vintage guitars that makes them sound so great? Was there some magic in the wood back then, or was it that cats just payed more attention to detail? Vintage guitars are heard on all our favorite records and used by the heavyweight players of the world. There are a few things that make a vintage guitar a vintage guitar. Their age, their build, and their components (which means pots, pickups, hardware, etc...). Their tone sings like no other and the feel of one in your hands is instant gratification. We seek them out with a passion like no other, hoping that we find a gem. There are many greats out there and all of them capable of sounding like a dream. But there is one guitar in particular that has always been able to get the job done and do it with authority, the Straocaster. If you look at a vintage Strat's pickups and hardware you'll notice there is something special about them, the sound they both help produce is like no other, and the build quality is stunning. The possibility to have your guitar sounding like an authentic classic is possible once again, and without having to spend an arm or a leg. I have two words for you...Raw Vintage. An amazing new company that is bringing us vintage tone hounds some outstanding pickups, saddles, and tremolo springs. Sometimes it's the little things that make the biggest difference, in this case it couldn't be truer. Get with it, Raw Vintage!


RVS-112 (11.2mm/o.441 inch pitch "Fender USA" type)
RVS-108 (10.8mm/0.425 inch pitch "Gotoh Japan" type)

There's nothing like owning a killer playing, killer sounding vintage guitar. Now imagine your hardware starts to give out, parts become old, and hardware begins to brake. There aren't many parts that can replace an authentic set of 50's saddles, that is until now. Raw Vintage has taken on the job to painstakingly go through every detail and analyze 50's vintage saddle to provide us with a product that not only looks the part but sounds and is built like the original. Yeah you can go out and get yourself a set of $20 saddles, I promise you one thing, you will pay the price in lack of definition, poor string articulation, and unbalanced note separation. The problem with most stock and budget guitar saddles is the materials that are used, like nickel plated copper, pot/zinc, and cheap molded steel. Poor quality in material leads to possible breakage and loss of core tone. It's much to valuable to give up any of that sweet vintage tone your guitar produces, your ears and vibe will tell the difference. Whether you're looking to replace a set on an old guitar, looking to build a vintage spec guitar, or just need a great set of saddles for your guitar, these Vintage Raw saddles will deliver spot-on classic, brilliant tone. If you want your guitar to sing with the voice it was given treat it right and go raw!

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RVTS-1 (5-pc set)
Wire Diameter: 1.3mm
Overall Diameter: 8.86
Nickel Plated

That's right, Raw Vintage even makes tremolo springs. If you've ever played a Strat with a tremolo system you know how important it is to have a good set of springs. Now you can have an amazing set. Just like an old set of saddles, vintage springs can also tend to give you problems. Old school springs were made ok, but to be honest that wasn't an area most companies were paying attention to. One great thing about vintage tremolo springs was that they did/do sound great, only they weren't built to last. Play your guitar long enough and you'll begin to notice your tremolo just won't respond like it once did. It's something that's bound to happen, wear on your springs can cause flimsy bends and weak intonation. You might not think springs make that much of a difference, but ask any seasoned player and they'll tell you different. What you want is to be able to replace these parts without having to give up your root sound, give your trem a little more strength and more flexibilty at the same time. The tension of the spring is very important and the key to having a great functioning tremolo. Raw Vintage not only researched the build quality of vintage springs but also improved them to perform better while able to maintain a classic sound. After swapping in both the set of Raw Vintage saddles and springs into my partner's guitar, we noticed right away the difference in sustain and response. The notes appear to jump out and hold on a bit longer, almost as if the perfect amount of compression was being added. The lows became rounder and boomier, and mids became thicker. This was simply one of the easiest mods I have ever done to a guitar, quick and instant difference. If you're looking for a easy and quick way to get your guitar up to par, try the Raw Vintage gear. Your guitar will love you for it!!!


For more info on Raw Vintage products go to www.rawvintage.com/eng/ or click the Raw Vintage logo in our links. Also look for the Raw Vintage pickup review next month, you're in for a real treat! Rock on kids.